KurtM
Well-Known Fanatic
I try to stay away from barricades if at all possible so I am not getting what you are saying when you say you need a perfect stance in conjunction with a barricade. It doesn't mean anything to me cause I don't do that. I also try to shoot as much stuff on the move as possible, so can you please tell me what your stance is when you do that?
When you say stance, my mind's eye sees Danny Glover in Leathal Weapon. You know where he draws, then moves his feet just so, then does the neck swivel thing....and then FINALLY aims and presses off the shot. From what I timed from the film it took him almost 3 seconds to get off his perfect stance shot, in that amount of time assuming comfortable .18 splits and a moderate 1 second draw, he would have garnered himself 11.11 hits from a high A class shooter, around 7 from a D class shooter. My stance is not to let a stance slow me down.
I know all the books and videos teach STANCE, STANCE, STANCE, but I don't and one of my students won the $50,000 3-Gun Nation shoot of in Vegas this year. On the street you well seldom have the time or warning to be in a "perfect stance" when it is time to dance...so why practice from it?
When you say stance, my mind's eye sees Danny Glover in Leathal Weapon. You know where he draws, then moves his feet just so, then does the neck swivel thing....and then FINALLY aims and presses off the shot. From what I timed from the film it took him almost 3 seconds to get off his perfect stance shot, in that amount of time assuming comfortable .18 splits and a moderate 1 second draw, he would have garnered himself 11.11 hits from a high A class shooter, around 7 from a D class shooter. My stance is not to let a stance slow me down.
I know all the books and videos teach STANCE, STANCE, STANCE, but I don't and one of my students won the $50,000 3-Gun Nation shoot of in Vegas this year. On the street you well seldom have the time or warning to be in a "perfect stance" when it is time to dance...so why practice from it?